Schrodinger's Bookshelf

Following a series of dramatic events which started with the destruction of a passenger ship and ended with the downfall of the corrupt Farwan Corporation, grimspace jumper Sirantha Jax is out of a job, broke, and infamous. When the interplanetary government known as the Conglomerate offers Jax the opportunity to lead a diplomatic mission to the planet Ithiss-Tor, she’s smart enough to recognize it for the unrefusable request that it is. Her decision is further reinforced when she learns that her mother’s fate hinges upon Jax’s success, or lack thereof, in convincing Ithiss-Tor to join the Conglomerate. Luckily, Jax has enough clout to make a few requests, such as getting her own ship, and her own crew. Her natural choices for companions include the Ithtorian mercenary Vel, the feisty mechanic Dina, and Jax’s pilot/lover, March. Those three are the only ones she truly trusts, though the group is soon expanded to include the roguish Surge, inhuman Koratati, and cocky Jael, none of whom Jax knows well enough to trust, yet.

Their trip to Ithiss-Tor is by no means uneventful. A well-intentioned detour to a space station as part of a mission of mercy soon turns into a horrifying encounter in deep space, that leaves the crew somewhat diminished, and definitely scarred. Another detour, to visit old friends on the planet Lachion, swiftly descends into a nightmarish period of violence and struggle as two feuding clans engage in an all-out, last-ditch war, with Jax and her friends caught in the middle. Escaping that mess will require some extreme measures, and a few unhappy sacrifices. And finally, Jax and her crew are forced to deal with the criminal Syndicate, which could spell success, or disaster for the mission as a whole. But even here, Jax finds betrayal from the unlikeliest of people, and has to make some very hard choices in the process. Throughout it all runs Jax’s attempts to come to terms with the mysterious degenerative disease that’s robbing her of her ability to jump through grimspace, and killing her slowly. With her relationship with March likewise disintegrating, Jax has to reach for untapped strength if she wants to survive and make it to Ithiss-Tor. For her, the journey has just begun.

I love this series so much. It’s a little bit space opera, a little bit romance, a little bit horror, and a whole lot of fun. Ann Aguirre does a great job of blending the various elements as she tells a compelling science fiction adventure story that’s rather reminiscent in tone and attitude of Joss Whedon’s Firefly television show… with a stint in the middle that reminds me very much of the movie Aliens.

A little disconcertingly, Wanderlust has a somewhat episodic feel to it, as the characters take all sorts of detours and have all kinds of adventures on their way to Ithiss-Tor, only reaching their destination at the end of the book. Given that there’s at least two more planned for the series, it’s no surprise that on the one hand, this feels like a little bit of killing time, or middle book syndrome. On the other, the characters go through some vitally important experiences, essential for their growth and evolution, along the way, picking up members of their group, losing others, wrapping up some threads and starting new ones, so it’s not wasted time and energy by any means.

I like Jax. She’s a strong-minded, independent, hard-edged protagonist who’s more than likely going to get herself killed out of sheer stubborn pride if she keeps on going the way she does. Luckily, she’s got some good friends backing her up, and the more we get to see of March, Vel, and Dina, the better. They’re an eclectic group of personalities, and with the newcomers of Hit (an exotic, unusual hitwoman) and Constance (an AI serving as Jax’s personal assistant), they’re rounded out quite nicely. I like this crew, I want to spend time with them. I especially wouldn’t mind seeing some stories told from Dina’s point of view, as I suspect they’d be interesting. Very interesting.

Wanderlust, like Grimspace, is a thoroughly enjoyable blend of science fiction, romance, and action, with a little something for everyone, and a great deal of fun. It’s down and dirty, unafraid to show some attitude, and Aguirre wisely maintains a balance between its elements, so that the romance doesn’t overpower the science fiction elements. You can bet I’ll be looking forward to Sirantha Jax’s adventures now that she’s finally reached Ithiss-Tor. However, given that Jax was sent there in part due to her ability to wreak havoc and make a scene, it’ll be interesting to see just how badly things go. But I’ll be there. And I still maintain that this series is the closest you can come to Firefly/Serenity right now without actually being in that universe, in terms of attitude, atmosphere, and tone, and yes, I mean that as a good thing. For those who like the softer science fiction (as opposed to those sticklers for actual science), this is bound to appeal. Give it a shot.

Originally reviewed for SF Site, 2009

After decades of buildup and innumerable skirmishes, the Borg have declared all-out war upon the Federation and her allies. As thousands of Borg cubes launch a relentless, genocidal assault upon civilized space, leaving nothing but destruction in their wake, only a few Federation starships are left free to seek out a solution. But what, if anything, can stop the Borg once and for all? With billions of people already dead and numerous worlds devastated, it’s up to Captain Picard of the U.S.S. Enterprise, Captain Riker of the U.S.S. Titan, and Captain Ezri Daz of the U.S.S. Avantine to join forces, muster their courage, and gamble like never before on one last hope. If they fail, the galaxy will become to the Borg.

As the captains and their stalwart crews take one last desperate stab at saving the day, they also wrestle with more personal matters. Picard, soon to be a father, worries about the universe his child will inherit. Riker wonders if his own wife, Deanna Troi, will forgive him for abandoning her and other crew members on a distant planet during a crucial moment. And Dax, new to her ship, wonders if she’s making the right choices. Meanwhile, the horrifying last moments of a band of survivors from the fabled Columbia, one of Earth’s earliest starships, are revealed, and in the process, a long-held secret about the Borg is revealed. Past, present, and future are woven together, action breeds reaction, and the fate of the Borg will be decided in one of Star Trek’s most epic stories yet.

David Mack was handed a rather large task when he was tapped to write the Star Trek Destiny trilogy: write an epic, sweeping saga with dozens of characters, trillions of background characters, numerous starships, and one of Star Trek’s most iconic, unstoppable opponents. He had to juggle a dozen different storylines set over multiple time periods, and change the franchise’s landscape in some major ways. Sounds daunting, right? Well, he pulls it off. Lost Souls ties together everything set into play in the first two books, from the fate of the Columbia to the true nature of the Borg to the all-out desperate battle for survival of the Federation. He also injects a rather prominent “human” element into the storyline, as characters worry about their private and personal lives even as they tackle this impossibly-huge task. Picard, Crusher, Riker and Troi all deal with their family/child/relationship issues. Geordi LaForge wonders if he’ll ever get a date, even as he (entirely unconnected to that) commiserates with Worf about their lost comrade, Data. Over on the Titan, other characters deal with their own issues. And of course, there’s the intense, tragic struggle to survive played out by the last survivors of the Columbia, lost in space and time.

Lost Souls, like the rest of the Destiny trilogy, is one hell of a story. It doesn’t just wrap up the trilogy, or even the past few years’ worth of books. It delivers as resounding and lasting an end to the Borg as we can reasonably expect; I can only hope and pray that as far as the literary corner of the Star Trek franchise is concerned, this final solution sticks. There’s a lot of wreckage to clean up in the aftermath (as we’ll see in books to come), and I think the Borg are due for a long rest, if not the big dirt nap. What’s most important is that as a Star Trek story, as an epic story, it works for me. It’s rekindled my off-and-on interest in the setting, and made me excited about future offerings once again. I’m pretty sure Star Trek fans won’t be disappointed. Yes, there’s a pretty big deus ex machina at the end, but given the way this story was going, and the way the threat escalated, and the history of such things in the setting to begin with, how can anyone be surprised? It’s clearly all part of the grand plan, and ultimately, it works. The usual caveats apply with this review, of course. Not a stand-alone book, not a good jumping-on point, you should read the books that precede it first, may be somewhat inaccessible to new or long-lapsed fans, beware of in-jokes. That all said, I was quite pleased by this book, and I’ll be looking forward to the next books in the line, if just to see how they pick up the pieces.

Originally reviewed for SF Site, 2009