Stargirl, by Jerry Spinelli (Knopf, 2002)

Right from the start, Stargirl is unlike anyone else Leo Borlock has ever met. Her unusual clothing, and ability to bring out the best in anyone, earns the self-named Stargirl a place of distinction among the otherwise-ordinary students of Mica High. She sings in public, remembers birthdays, delivers anonymous cards, has a pet rat, and roots for everyone, even the opposing team. She keeps files on people, so they’ll know what they were like when they were young, when they’re old enough to appreciate it. And for whatever reason, she’s fixed upon Leo as a kindred spirit. Initially, the school regards her with distrust and alienation, but over time, they grow to accept her whole-heartedly, even making her a cheerleader. All the while, Stargirl draws Leo further into her web of magic and beauty. Then, as these things will happen, Stargirl’s refusal to change to suit the masses leads to a horrible backlash, rendering her and Leo both outcasts. Leo, desperate for approval and acceptance by his peers, tries to get Stargirl to conform… but can an ordinary Susan overcome the disapproval of the others, and more importantly, will she want to?

In the end, Stargirl has to choose what to hold on to, and what to let go. So does Leo, and it’s a choice that will haunt him for the rest of his life. This is a story about the struggle between remaining true to oneself, and conforming for the sake of acceptance. It’s also about beauty, love, and the inner magic we’re all capable of. Even though it’s not overt or blatant, this is as much a fantasy as any of the ones about wizards or dragons. Lyrical, funny, evocative and imaginative, Stargirl is a genuine treat, the sort of book that can brighten up any rainy afternoon with its subtle encouragement to strive for the inner magic within us all.

Spy High: Mission One, Chaos Rising, and The Serpent Scenario, A.J. Butcher (Little, Brown and Company, 2004)

Book One: Mission One
In the next century, the world’s greatest secret agents all come from one place: Deveraux Academy, known affectionately to its student body as Spy High. Here, away from the prying eyes of a world ever more increasingly beset by evil geniuses and madmen, gifted students learn everything they need to know to keep society safe. For those who graduate, exciting careers and death-defying missions await. For those who fail, they have nothing to look forward to except a memory wipe and a return to a mundane life.

Enter the six members of Bond Team: intensely driven leader Ben Stanton Jr; farmboy Jake Daly; devil-may-care joker Eddie Nelligan; computer expert Cally Cross; Jennifer Chen, a beautiful martial artist haunted by her past; genius Lori Angel. These teenagers have to overcome their mutual distrust and personality clashes, if they ever want to succeed as a team and pass the numerous tests Spy High has to throw at them. But will their dissension prove irreparable? In their first book, Mission One, the members of Bond Team go up against the infamous Stromfeld training program, a deadly virtual reality distilled from history’s worst evil geniuses and madmen. They’ve had two strikes; one more, and they’re out of the Academy for good. But before they can tackle Stromfeld one last time, they’re ordered to take a small vacation, one which will have far-reaching consequences, and test them as individuals and as a team.

Book Two: Chaos Rising
In Chaos Rising, Bond Team may have come together for one victory, but they’re still not meshing properly. A power struggle is brewing, one of the members may have betrayed them, and out in the real world, a terrorist organization’s latest project has taken on a life of its own. What hope does the world have, when its saviors can’t even get along for ten minutes?
Spy High is a great concept with a solid beginning. A hidden school turning out teenage secret agents to defend a world in which evil geniuses turn up with alarming regularity, their mad schemes facilitated by the rapid evolution of technology? Awesome. It’s like the X-Men meet Spy Kids, with some Alias or Agent Cody Banks thrown in for good measure. Frankly, there’s not enough good young adult science fiction out there, and Spy High is a welcome addition to the genre. While the pacing and characterization suffers a little in places as the author finds his groove, the story as a whole is as entertaining as any Bond film, with some of the self-awareness that has come to characterize the new generation of spy flicks: they know they’re building on a tradition, and acknowledge what has come before. Overall, this looks to be a fun series, and I look forward to reading more about the intrepid Bond Team.

Book Three: The Serpent Scenario
The spies-in-training of Deveraux Academy’s Bond Team are back in their third thrilling adventure. The stakes are higher than ever, as one of their own leaves the school against orders, returning home to settle a years-old score. Jennifer Chen saw her family killed when she was younger, and at long last, she has a chance to get revenge against the man who did it, now the powerful leader of a vicious street gang called the Serpents. Meanwhile, her teammates are torn between regulations keeping them at Deveraux, and loyalty to their friend. Can they split their forces and still keep their tracks covered, or will tragedy tear them apart? Worse still, a deadly new drug called Drac has hit the streets, and the only clues to its origin and true nature lie behind a wall of diplomatic immunity, hidden in the depths of the Wallachian Cultural Exchange Building. What’s the connection between Talon, leader of the Serpents, and Vlad Tepesch, Prince of Wallachia?

As with the first two books in this series, The Serpent Scenario blends sharply-paced action sequences with high-tech toys, daredevil stunts and unpredictable plots. The Spy High series manages to be both an enjoyable homage to the spy story genre, and a fun extrapolation of what’s gone before, with training sequences for such time-honored scenes as “Villain Explains It All” and “In the Restaurant.” It’ll be interesting to see how the series progresses after the status quo-violating events of this book, especially as Butcher takes a fairly unexpected tack halfway through. Spy High is a fun series, and I’m looking forward to future installments.

The Spiderwick Chronicles #1-5, by Tony DiTerlizzi and Holly Black (Simon and Schuster, 2003/2004)

Book 1:The Field Guide
When Jared, Mallory, and Simon Grace move into their Great-Aunt Lucinda’s house, the Spiderwick Estate, they have no idea what to make of the place. It’s huge, rambling, and some parts are in disrepair. But it’s out of the city, and a good place for the family to start over. What more can their single, overworked mother ask for? However, when odd things begin to happen, the children discover more than they bargained for. Not only is there a secret room where their ancestor Arthur Spiderwick used to work, there’s a bizarre field guide for fairies and other mythical creatures, secreted away in a trunk. And then the children find the boggart, the source of their domestic woes. If they can appease him, he’ll stop trashing their belongings and getting them in trouble. They hope. The Field Guide is just the beginning of what promises to be interesting times ahead for the three children.

Book 2: The Seeing Stone
In the second book, The Seeing Stone, the Grace kids are still learning about the dangers of the field guide, as their refusal to destroy it brings more unwanted supernatural attention on their heads. This time, they’ll meet the trolls and goblins of the area, and undoubtedly regret the encounter in the end. But will they make it home in time for dinner?
This five book series is written on the same level as the Series of Unfortunate Incidents, though less vicious in spirit, and should appeal to the same audience, as well as anyone with a childlike love of fairies and goblins and things that go bump in the night. Co-author Holly Black, whose first book, Tithe, was an intriguing look at the world of Faery through teen eyes, brings the story down to a juvenile level without losing any of the excitement. The true strength, however, lies in the packaging. Handsomely bound with copious illustrations by co-author Tony DiTerlizzi in both black and white and color, they’re as much artistic as they are literary. By releasing them as five smaller books as opposed to one larger story, the authors are free to heighten the excitement of each individual episode and add the illustrations, themselves a vital part of the enjoyment factor. Though recommended for ages 6-10, I’m sure older readers might be just as amused.

Book 3: Lucinda’s Secret
The Grace children, Mallory, Simon, and Jared, are back, in the third installment of their brush with the creatures of Faerie. Things have been unusual around the house, ever since they discovered Arthur Spiderwick’s Field Guide, which opened their eyes to the existence of goblins, elves, trolls, boggarts, griffins and more. In fact, things have been downright dangerous! The magical beings of Faerie want that book, and they’re willing to play dirty in order to remove the proof of their existence from view. The Grace children, however, aren’t pushovers. They’ve already outwitted a bunch of goblins and rescued a griffin from dire peril (it’s in the barn, now). How bad could the next batch of magical menaces be?
Deciding to seek out their answers at the source, the three go to visit their Great-Aunt Lucinda, who’s currently enjoying an extended stay at a mental hospital. The story she has to tell them, about Faerie and its dark temptations, is enough to make them reconsider keeping the Field Guide. One problem. Someone’s stolen the Guide, and if the Grace children can’t get it back, how will they know what sort of dangers lurk in the woods? Their quest to recover the guide will bring them face to face with the playfully prophetic phooka, and into the clutches of the beautiful, yet deadly, elves. One of the three children may never go home again, if they can’t out think their captors….

Once again, Holly Black and Tony DiTerlizzi produce an inventive, fascinating look at the intersection of the mortal world and Faerie. The pace is quick, yet not hasty, and the plot moves right along with plenty of twists and turns. We’re more than halfway through the five book series now, and while things are heating up, I’m fully confident we’ll see a satisfactory resolution and answers to all our questions by the end. The Spiderwick Chronicles are like a more upbeat Series of Unfortunate Events, with some good old-fashioned, old-school dangerous fairy tale influences. One strong selling point continues to be the design of the books: DiTerlizzi’s artwork captures both the whimsy and the distinct unreality of the Fae, while rooting them in the modern realness of the protagonists. Add to that the handsome hardcover format, and these are books that’ll look good on the shelf as a set.

Book 4: The Ironwood Tree
Things really heat up for the Grace children, Simon, Mallory, and Jared, in The Ironwood Tree, fourth in a five book series chronicling what happens when three ordinary kids discover the truth about the magical world around them. Someone’s stolen Arthur Spiderwick’s field guide, a book which details the creatures of Faerie in all their capricious, treacherous glory, but other factions who haven’t gotten the memo are still trying to get it away from the Graces. When a shapeshifter starts impersonating the children and getting them in trouble, things are bad. When someone kidnaps Mallory and demands the field guide in exchange, things get even worse. How can Jared and Simon rescue their sister from the local dwarves when they don’t have the book to bargain with? What’ll happen when they’re betrayed in turn, and who’s behind all of these supernatural problems anyway? Plenty of questions, and very few answers, are to be found as the story rushes headlong towards the final showdown between mortal and faerie.

The most frustrating thing about the Spiderwick Chronicles has to be the wait between books. They’re relatively quick reads, over far too soon for my tastes, especially since the world presented is interesting enough that I’d like to stay a while longer. I think the characters and setting could easily warrant a full-length novel, though I’d still want plenty of Tony DiTerlizzi’s fantastically whimsical drawings to go with the words. This is a great series, and I wouldn’t mind seeing more even after the fifth book and the Field Guide itself are published. One thing to watch out for: though most of the story is appropriate for ages 7 and up, there’s a scene near the end that’s a bit bloodier and more violent than the rest, yet wholly in keeping with the nature of the Faerie creatures involved. That aside, what are you waiting for?

Book 5: The Wrath of Mulgarth
Their house has been ransacked, their belongings trashed, and their mother kidnaped. Now the Grace children, Jared, Simon, and Mallory, must find a way to outwit Mulgarth the ogre. On his side: an army of goblins and dragons. On their side: a griffin, a brownie, a hobgoblin, and the outdated advice of their great-uncle Arthur, whose Field Guide to the creatures of Faerie initially got them into this mess. How on Earth can a handful of kids and minor Fae face off against a shape-changing ogre king and his poisonous, fire-breathing servants? With cunning, trickery, and intelligence. And a little luck. But they’d best be careful; not all is as it appears.

I’ve been saying it all along, and I’ll say it one last time for now: The Spiderwick Chronicles is an excellent, highly imaginative, highly entertaining series, and it’s really a shame to see it come to an end at last. Not only is the story fast-paced and enjoyable, but the packaging these books have enjoyed is downright gorgeous, with DiTerlizzi’s whimsical, beautiful artwork adding the right atmosphere to the writing. I’m proud to have these books on my shelf. Black and DiTerlizzi have hinted that we might see more of the Grace kids and their Faerie friends in the future, and I hope we do. To let the concept and the setting drop now, just when it’s gotten even more intriguing, would be a shame. If you haven’t read this series, start with The Field Guide, and read in order.

So Yesterday, by Scott Westerfeld (Razorbill, 2004)

Hunter’s a trendsetter, a cool-hunter, one of those people responsible for finding the Next Big Thing and turning a cool idea (an Innovation) into a fad, or even a trend. Employed by various corporations to help catch the wave of popular culture, Hunter acts as a freelance consultant. Not a bad part-time job for a high school kid. Then he meets Jen, an Innovater whose very presence in his life is guaranteed to bring chaos and excitement. Together, they stumble across a conspiracy that strikes right at the heart of the entire culture pyramid, threatening to destabilize the progression of ideas, coolness, and consumerism itself. And it all begins with a single perfect pair of shoes, and a kidnaping. From there, it progresses into wild adventure, nonstop danger, bizarre parties for the “hoi aristoi,” anti-brands, and unexpected ideological clashes. Hunter may know how to spot the beginnings of a trend, but Jen inspires trends; together, they’re a perfect team, if they can just stop arguing.

Westerfeld turns in a great story here, playing on some fascinating concepts, the themes reminiscent of Connie Willis’ excellent Bellwether. The hidden rules that dictate the progression of trends and fads are so well-explored that I find myself paying more attention to the people around me, wondering who among them might just be an Innovator or Trendsetter. Already known for his imaginative science fiction, Westerfeld continues to carve out a name for himself as a YA author with So Yesterday, as well as with his other recent book, The Midnighters: The Secret Hour.

Sorcery and Cecilia, or The Enchanted Chocolate Pot, by Patricia C. Wrede and Caroline Steverner (Harcourt, 2003)

In the spring of 1817, two young ladies of Quality exchange a series of letters between Essex and London, recounting their separate and intertwined adventures. Kate, who’s been taken to London with her sister Georgina and Aunt Charlotte, so that she may experience a proper social Season. Cecilia’s been forced to stay behind with Aunt Elizabeth in Essex, where she has to find her own amusements. And somehow, the two get mixed up in the affairs of wizards, as Kate gets the attention of the mysterious Marquis of Schofield and his enemies, while Cecilia discovers that the enigmatic Sir Hilary may be practicing foul magics of his own. What does an enchanted blue hot chocolate pot have to do with all of this, where has Kate’s brother Oliver gone to, why does the Marquis need a faux engagement to Kate so badly, and what has James Tarleton snooping in Sir Hilary’s bushes?

Magical hijinks and social tomfoolery are in full swing in this lively tale of an alternate England where magic is common and Young Ladies of Quality get involved in things they should best leave alone. Written through alternating letters from their respective viewpoints, with each of the two authors focusing on one of the two girls, Sorcery and Cecilia is a clever, dazzlingly charming story. It starts off a little slow, as the authors lay down the rules of the world and the theme of the story and get into the voices of their characters, but once things get rolling, it’s hard to slow down. Mysteries compound on one another, and the end result is quite satisfying, even in its predictability. I’m already looking forward to the announced sequel.

Sorcerers of the Nightwing, by Geoffrey Huntington (ReganBooks, 2002)

In the wake of Harry Potter’s phenomenal success, we’re seeing a fair number of books aimed at capturing that same interest, many of them tweaked a little to offer a slightly different experience. Sorcerers of the Nightwing, which bills itself as the first in a new series which picks up where both Harry Potter and Buffy the Vampire Slayer leave off, definitely falls into this category. It’s got the teenaged protagonist (Devon March is 14) who’s either orphaned or doesn’t know his birth parents (right before dying, his father told him he was adopted), and who subsequently discovers his legacy/heritage as a magician (or in this case, one of the Nightwing, an ancient order of magicians who fight demons and keep them locked away in their Hellholes) while simultaneously battling some great evil (such as Jackson Muir, the Madman of Ravenscliff). Along the way, he picks up several stalwart teenage allies of both genders, and achieves some small enlightenment as to his past while leaving the room open for sequels. It’s simply not customary to give us all the answers in one book anymore, when a series will do.

If I sound a little down on Sorcerers of the Nightwing, it’s possibly because it tries a little too hard to be like the other kids on the block while still maintaining its independence. It has a terrific, spooky setting, the majority of the action taking place either in the small Maine town of Misery Point or the sprawling Gothic mansion of Ravenscliff, complete with sealed-off wing, mysterious tower, and secret tunnels. It has a likeable, persistent protagonist who’s simply not content to let others leave him in the dark, the sort to throw himself into danger while invoking Spider-Man and Harry Potter. It certainly doesn’t skimp on the potential sexuality, with one supporting character who’s gay and proud, and Devon himself rapidly finding a girlfriend, who may or may not be socially acceptable; certainly, he has his doubts. It’s well written and fast-paced, leaning more towards horror than fantasy. Unfortunately, as long as the Ravenscliff series continues to actively suggest comparisons to Buffy or Harry, it’s bound to take second place, a shame since it really does have great potential.

Singing the Dogstar Blues, by Alison Goodman (Firebird, 2004)

Joss Aaaronson just doesn’t fit in, and she doesn’t care. Smart-mouthed, highly intelligent, and fiercely independent, she’s the daughter of a prominent celebrity and a sperm donor in a not-so-near future, six years after the world was changed by the arrival of an alien race known as the Chorians, symmetrical beings who exist as pairs of twins, capable of communicating across vast distances through song and telepathy. Joss’s everyday life at the Centre for Neo-Historical Studies (time travel, in other words) is disrupted when she’s chosen to partner with the Centre’s first ever alien student, Mavkel. The rebel and the alien, both standing out from the herd in their both ways. Luckily, they get along, which will come in handy when things get rough. Not only is Joss experiencing major pressure (and a huge sense of forboding) from the Centre’s sinister administrator, Mavkel is pining away from a mysterious illness related to his lost twin. The answer to both of their problems lies only in the past, and it’ll take an unauthorized escapade with the Centre’s time machine for Joss and Mavkel to fix everything, and discover some long-buried secrets.

Goodman lays out an intriguing future society, where aliens, time travel, and genetic manipulation are present, yet not so commonplace that their mystique has been lost. Indeed, it feels like we’re only just scratching the surface of a much deeper, exciting world, one that deserves further exploration. The little details, like futuristic slang and cursing, really help to sell the setting. Joss and Mavkel are a believable pair, Joss a strong female lead, and Mavkel appropriately alien. Singing the Dogstar Blues is a satisfying coming-of-age story, all about finding one’s identity and moving forward in a confusing world.

Sign of the Qin, by L.G. Bass (Hyperion, 2004)

An infant born with the sign of the Qin, the mark of the outlaws, on his cheek. A mysterious tattooed monk. An immortality-seeking trickster monkey. The twin leaders of the infamous outlaws of Moonshadow Marsh. A beautiful maiden who is not what she seems. A murderous, treacherous Emperor. A demon lord planning to escape his long bondage. These are just some of the elements which make up L. G. Bass’ fantastic beginning to the Outlaws of Moonshadow March trilogy. Sign of the Qin is an exciting, fast-paced book, filled with memorable characters and exciting action scenes. Drawing from Chinese myth and Hong Kong action films, it’s a fun addition to the genre, highly reminiscent of films like Crouching Tiger, Hidden Dragon and other kung fu offerings. Those tired of the perpetual European influence which dominates the fantasy genre will undoubtedly enjoy this fresh new offering.

Frankly, trying to describe Sign of the Qin is difficult, if only because I’m not familiar enough with its inspirations to name them. However, I can safely say that it mixes Chinese mythology, kung-fu action scenes, multi-layered plotting, memorable characters, and gorgeously described scenery to product a story well worth reading. I’m actually hoping that there’s a movie deal in this book’s future, as I think it would translate beautifully to the big screen. I can hardly wait for the next in the trilogy, to see what further adventures and mishaps our heroes, especially Monkey, experience. Go ahead and check this book out.

Shadowmancer, by G.P. Taylor (G.P. Putnam’s Sons, 2004)

In all fairness, perhaps the worst thing the publicists could have done for this book, the debut novel by English vicar G.P. Taylor, was to market it as “hotter than Potter.” Shadowmancer may be many things, but it is not in the same league as Harry Potter, and the comparison only serves to highlight this book’s inadequacies and shortcomings. It has none of the rich and memorable cast of characters, none of the uniquely charming setting, none of the engaging plotwork, and very little of the right atmosphere. Harry Potter has a certain comedic tone and wry humor to it even in the darkest of times; Shadowmancer remains dark and brooding even at the best of times. Harry Potter is set in modern day, in a world most of us would find quite familiar, and even the magical elements bear a resemblance to things we know intimately; Shadowmancer is set in the 18th Century, somewhere in the English highlands and moors, and it’s a world that seems rather alien compared to our own. One certainly can’t even compare the protagonists and antagonists of the two books; there’s just no way to match up Lord Voldemort with Demurral the evil vicar, or Harry Potter with Thomas Barrick.

Usually by now, I’d have described the plot. Unfortunately, what I gathered from Shadowmancer is that Demurral, an English vicar who rules the countryside around him like a petty noble tyrant, wants to replace God with himself, and he needs a pair of magical artifacts to facilitate this transformation. There’s one spunky orphan, a feisty young girl with a corrupt father, and a faith-proclaiming teenager from Africa who may or may not have a direct line to God, and it’s these three who stand in Demurral’s way. Unfortunately, it’s hard to take seriously a villain who went from a God-fearing good man to a wholly evil would-be world conquerer in the same way one might flip a light switch. Nor can one really emphasize with teenage characters that remain ciphers at best.

If I was going to be generous, I’d say that the dark, thoughtful, and religious overtures of this book are almost reminiscent of Philip Pullman’s His Dark Materials trilogy. But I suspect that would be a disservice to Pullman’s acclaimed work. Whatever virtues Shadowmancer might possess are lost, in part because it’s being billed as something it’s not.

Rowan and the Keeper of the Crystal, by Emily Rodda (HarperCollins, 2002)

Young Rowan of Rin leads a fairly peaceful life with his family. One day, however, this peace is shattered by the dramatic, desperate arrival of one of the enigmatic waterfolk of Maris. He brings a message. “The Crystal dims. The Chooser is summoned.” With those seven words, Rowan’s life is uprooted, as his mother is called to attend to an ancient duty held by the members of their family. They must journey to Maris. She must bond with the great Crystal which protects the clans there, and Choose the new Keeper, before the Crystal’s light dims forever and they fall to evil forces.

It should be an easy assignment. There’s only three to choose from, right? Wrong. In the thousand years Rowan’s family has held this duty, very few Choosers have come home intact. It seems Maris politics can be quite literally cutthroat. Rowan rightly fears for his mother’s safety as he accompanies her. For if she falls to misfortune, accidental or otherwise, he’ll be the one called in her place.

As the Crystal dims and the ceremony of the Choosing begins, Rowan’s mother indeed falls, victim of a slow-acting poison. Rowan must take her place, and choose between the three candidates, each representing a clan of the Maris. Rowan has other plans in mind. He learns of an antidote to the poison coursing through his mother’s body, and essentially blackmails the three Candidates – Asha of Umbray, Seaborn of Fisk, and Doss of Pandellis – into accompanying him on a quest for said antidote’s mysterious ingredients. They’ve no choice, for the Crystal’s time is as limited as Rowan’s mother’s remaining life, and only Rowan may complete the ceremony.

Thus, they journey to the sacred Island. There, they’ll fend off violent birds, flesh-eating fish, and the deadly Great Serpent in their quest for the antidote. They’ll work as a team, and exert themselves to the utmost. In the end, though, only one of the three will be Chosen as the Keeper, and Rowan will be the one to decide. All the while wondering who poisoned his mother, who felt threatened enough to do such a thing. The answer will surprise and shock everyone. In the end, traditions will be shattered, and the Maris will fend off a brutal, treacherous attack… but will it all be in time to save the Crystal’s power, or Rowan’s mother?

This is a light version of the typical quest fantasy, pitting our heroes against their own fears and weaknesses as much as against any true obstacles. Entertaining and lively, Rowan and the Keeper of the Crystal doesn’t let up on plot or action until the end. While this is part of a series (four books and counting) it can be read independently of the rest. Try this one out on young readers needing a Harry Potter fix.