The Witches of Bailiwick, by Sandra Forrester (Barron’s, 2005)

At long last, the time has come for Beatrice Bailey and her friends to confront the evil sorcerer, Dally Rumpe, once and for all. In four previous missions to the Witches’ Sphere, the quartet (later quintet) of teenage witches went up against terrible evils and great odds to undo various parts of the spell which enveloped and cursed the land of Bailiwick. They rescued Dally Rumpe’s captives, weakened his influence, and gained much acclaim. But the hardest part is yet to come. This time, Beatrice and friends have to travel to the thief-run town of Heraldstone, ally themselves with a motley group of untrustworthy thieves and highwaymen, sneak into a goblin-infested castle, battle harpies and other monsters, and stand up against Dally Rumpe himself. No problem. Of course, when any one of the people living in Heraldstone might be a disguised Dally Rumpe, things are even harder. Who can they trust? Who can they ask to help who won’t betray them at the worst opportunity? How will they get across the Shaking Bridge, past the goblins, and into the dungeons to free poor captive Bromwich, held there as a prisoner for two centuries? This is the final test for Beatrice Bailey, and it’ll define how she’s regarded by her peers and the rest of the Witches’ Sphere forever.

I’ve been enjoying this series all along; its mixture of mystery, adventure, suspense and fantasy makes for some great reading, and it’s always a pleasure to watch Beatrice and her friends overcome great odds through their resourcefulness. Of course, half the fun is playing “who is Dally Rumpe pretending to be this time?” and seeing if I get it right. Forrester is skilled at laying false clues and giving us plenty of suspects to choose from. Ultimately, this is a satisfying conclusion to the Beatrice Bailey series, with a proper payoff for loyal readers. This is a perfect series for those Harry Potter fans who might be waiting for their next fix.

The Witches of Winged-Horse Mountain, by Sandra Forrester (Barron’s, 2004)

Guess who’s back? That’s right, it’s Beatrice Bailey and her friends. In the fourth book in the series, they’ve been tasked with the mission of freeing yet another part of the magical land of Bailiwick from the clutches of the evil Dally Rumpe. This time, they have to travel to the ranch at the foot of Winged-Horse Mountain, where they’ll mingle with the locals, attend a phantom rodeo, infiltrate a ruby mine, and go up against the most horrific monsters to date. As always, Dally Rumpe may be lurking in disguise, waiting for just the right moment to reveal himself and sabotage Beatrice’s quest. Luckily, she has some good friends, and a few dubious allies, to aid her.

My one complaint about the Beatrice Bailey series is that it’s somewhat formulaic: Beatrice and her friends journey to one part of Bailiwick, meet the locals, brave some dangers, and try to break the spell holding that area under Dally Rumpe’s power. Luckily, author Sandra Forrester is well-aware of this downside, and has spiced up the predictability with several running subplots, one having to do with Beatrice’s ambiguously bad cousin Miranda, the other having to do with the true nature and history of Dally Rumpe himself. As Beatrice’s adventures unfold, we learn more and more about her evil nemesis and how he went so bad to begin with. Moreover, Beatrice’s choices are becoming less black and white, as she’s faced with a moral dilemma. If she succumbs to temptation, she could defeat Dally Rumpe with his own evil spells. If she resists, she may be doomed to failure. What price is victory worth to her at this point?

Four books in, and presumably one to go, and I’ve really enjoyed the adventures of Beatrice Bailey to date. Clever and relatively fast-paced, this series manages to surprise with some of its twists and revelations. I’m looking forward to Beatrice’s final confrontation with Dally Rumpe, if just to see how it’ll all turn out. Somehow, I suspect Forrester still has some surprises left to spring upon us. This is a great series for those who loved the first few Harry Potters and want something new to read in the meantime.

The Witches of Sea-Dragon Bay, by Sandra Forrester (Barron’s, 2003)

Teenage witch Beatrice Bailey is back once again in this, her third exploit. This time, she and her friends are directed to help free the town of Sea-Dragon Bay from the evil clutches of rogue wizard Dally Rumpe, whose power has enveloped the land of Bailiwick for two centuries. So far, Beatrice has been lucky, prevailing in two other areas of her family’s old home. But will this be the time when Dally Rumpe’s cunning proves to be a match? It certainly doesn’t help that the people of Sea-Dragon Bay don’t particularly want to be rescued; they actually like the notoriety the curse has brought their home! Worse yet, Beatrice and her friends are joined by meddling journalist Sasha Peake, and the manipulative Miranda Pengilly. As Beatrice learns more about the past, she’ll be faced with some hard choices, and some near-impossible tasks. Given Dally Rumpe’s penchant for disguise, he could be anyone in Sea-Dragon Bay, even a friend or relative. Who can she trust, when even her Council-appointed advisor comes under suspicion of collaborating with the enemy?

So far, I’ve been enjoying this series. Beatrice Bailey is an enjoyable heroine, confident and intelligent, but well-aware of her limitations. Her friends continue to flesh out the action with their unique skills and quirks, and each new character adds a little something new to an increasingly interesting world. Even the throw-away lines, such as the role of fairy tales and how they’ve come upon hard times, give a little something to think about. Ultimately, The Witches of Sea-Dragon Bay lives up to the standards of the first two Beatrice Bailey adventures. I’m looking forward to see how this series progresses and ultimately wraps up.

The Witches of Friar’s Lantern, by Sandra Forrester (Barron’s, 2003)

Beatrice Bailey, star of The Everyday Witch, returns for her second adventure in this continuing series of a girl called to test her talents by breaking an ancient curse. For Beatrice, the difference between being an Everyday Witch of low talent, and being a highly-regarded, powerful Classical Witch rests in her ability to combat the evil Dally Rumpe, and free the five ensorcelled sections of Bailiwick from his power. In her first outing, she freed one part, the Winter Wood. Now she and her friends must again leave the ordinary world and journey back into the Witches’ Sphere to tackle the ominously-named Werewolf Close. It’ll take some unexpected allies and all their cunning to solve this task, especially since Dally Rumpe could be hiding anywhere, as anyone, ready to sabotage them when they least expect. More importantly, Beatrice will meet some family she never knew she had, and learn the terrible secret of why her mother was banished from the Witches’ Sphere, never to return.

Beatrice Bailey is a likeable, character, charming without being overly so, and younger readers are sure to enjoy reading about her adventures. While generally less complex than, say, the Harry Potter books, her story is on the same level as the first two at least, and just as much fun. I know I’ll continue to check out this series, if just to see how Beatrice Bailey grows and overcomes her obstacles. The Witches of Friar’s Lantern is good-humored and pleasant, a fun read that’s heavy on magic and whimsy, light on angst and complexity.

The Everyday Witch, by Sandra Forrester (Barron’s, 2002)

Beatrice Bailey isn’t much of a witch. Save for her weather spells, every magical thing she attempts goes haywire. As far as that goes, she’s not too worried. She’s accepted that in a few days, on her twelfth birthday, she’ll be formally classified as an Everyday Witch, like the rest of her family and friends. There’s no hope of the Witches’ Executive Committee seeing something she doesn’t know and classifying her as a powerful and respected Classical Witch, is there? Imagine her surprise when the Committee tells Beatrice that in order for them to decide, she and her friends must undergo a small quest, to free an ancient land in the Witch Sphere from a powerful shape shifting sorcerer named Dally Rumpe. If she can fulfill this task, one no member of her family has ever succeeded at, Beatrice might very well be a Classical Witch after all. But is the reward worth going up against ghosts, elves, evil sorcerers, werewolves and dragons?

The Everyday Witch is entertaining and imaginative, with a worthy premise and likeable characters. The nature of Beatrice’s quest, and the pacing of the book, made it clear early on that this is the start of a series, so any ultimate payoff won’t be for some time. Nevertheless, Forrester brings this segment of the story to a satisfying conclusion. Sadly, The Everyday Witch lacks the complexities and depth of some other popular series, and the interaction between the fantasy world and mundane world seems a bit awkward in places, with some concepts and creations seeming rather out of place, or at least tacked-on without complete care. Add to this an element of predictability that the more jaded reader might grow frustrated with, and the book comes off as somewhat lacking. However, younger readers will likely enjoy the characters and the plot, and even an older audience is sure to enjoy the quiet charm. It’s a fun book, fairly light-hearted and nicely illuminating the culture clash and distrust between magical and mundane, Traditional and Reform. Ultimately, it’s worth a look. I’ll definitely be checking out the next in the series to see what happens to Beatrice and her friends.

The Earthborn, by Paul Collins (Starscape, 2004)

Centuries ago, the spaceship Colony was sent forth from Earth to settle far away Tau Ceti III. However, when disaster strikes Earth, the ship turns around, and returns to its place of origin, now a planet ravaged by plague, its adult population almost completely wiped out and civilization in ruins. Colony has a plan to resettle Earth with its very best and brightest, and as soon as they eliminate those pesky savages cluttering up the landscape, they’ll be just fine. So what if those savages are the rightful inhabitants, and the Skyborn of Colony usurpers who’ve never left the ship? And what of those Skyborn who don’t measure up to the standards set by their brethren? One such boy, fourteen-year-old Welkin, is about to find out just how expendable he really is, when he’s arrested on trumped-up charges and exiled, only to be rescued by a group of Earthborn children. Before it’s all over, he’ll discover the truth behind the Skyborns’ deadly plans, and the strength of the Earthborn.

An interesting interpretation both of the colony ship theme often found in science fiction, and of the culture shock experienced by two divergent branches of the same race meeting for the first time, The Earthborn is an excellent offering from notable Australian author Paul Collins, hopefully paving the way for more of his works to be published in America. Word has it that he’s working on a sequel even now.

The Divide, by Elizabeth Kay (The Chicken House, 2003)

In this unusual book, a young man named Felix falls through the barriers separating the worlds, falling into a land where mythical creatures roam and magic is dominant instead of science. Cursed with a heart condition that means he doesn’t have long to live, Felix is granted a new hope when he learns of certain magics which might be able to cure him. Thus prompted to quest not only for those magics but for a way home, he embarks on a perilous journey with his new friends, Ironclaw the brazzle (gryphon) and Betony the tangle-girl (elf). However, dark forces at are work in this other world, and they’d love to get their hands on a real live mythical human being. Felix and friends have to avoid the evil Snakeweed and his sinistroms (devil-hyenas) if they want to stay alive, because Snakeweed puts the profits of his magical healing corporation above the safety of the clients, and lives mean nothing to him. That’s right, he’s the head of an evil magical pharmaceutical company that wouldn’t mind expanding to Earth.

The Divide is a fun story that takes the common theme of “person from our world falls into a magical world and must try to get home” and puts some new spins on it, such as using dragons for airplanes, and insisting that human beings are just a myth. The unique cover design, which features a wraparound cover that splits down the middle of the front, is both eye-catching and innovative; it’s also awkward, providing little support for the pages while reading. On the bright side, the right-hand coverflap can be used as an impromptu bookmark without too much fuss. All in all, The Divide is enjoyable and manages to avoid feeling too familiar, while leaving plenty of room for a sequel.

The Cyborg From Earth, by Charles Sheffield (Starscape, 2003)

Originally released as part of the Jupiter series, described by author James Hogan as “a line of upbeat, hard-science, space adventures intended for young-adult readers, in the style that Robert Heinlein and others made popular in the fifties and sixties,” The Cyborg From Earth has been rereleased under the Starscape imprint. It’s the story of Jeff Kopal, the latest scion of an obscenely rich and powerful family that’s left its mark both in industry and in the military. The Kopals expect certain things out of their children: everyone serves the military, and everyone distinguishes themselves, if they want any say in how the family business is run. Jeff, unfortunately, is no military genius. So when he screws up on the naval entrance exams, he finds himself summarily assigned to a tiny ship with a captain who hates him, on a mission that’s pure foolishness.

Marooned deep in the heart of Cyborg Territory, Jeff must learn to stand up for himself, and to rally his new friends and allies against a bizarre conspiracy aimed at his family’s company, and at Cyborg Territory itself. He may not be Navy material, but he’ll make a name for himself in another way: as a hero … or a martyr. Either way, someone stands to gain, and it’s not necessarily Jeff.
The Cyborg From Earth is a fun, clever read, hearkening back to the Heinlein juveniles I grew up with, evoking the same spirit without losing the complexity and characterization expected of a more “modern” book. Jeff Kopal faces a traditional coming-of-age as he learns to distinguish moral shades of grey and take responsibility for himself and his actions. Like its predecessor in the series, The Billion Dollar Boy, this is the good stuff, young adult science fiction with a classic atmosphere.

The Book of Alfar, by Peter W. Hassinger (HarperCollins, 2002)

When eleven-year-old Sander and his family move to a historic old house in the Hudson Highlands, he expects things to be different, but nothing can prepare him for the adventures he’s about to have. A centuries-old family squabble between the mythical Duergar, or Black Dwarves, of the region draws Sander and his new friends, Bobby the Goat-Boy and Mini the half-Native American girl, into a wild series of mishaps. They’ll brave pirates, ghosts, wolves, and more, in an attempt to break the power of the evil old Dwerg and free the region from his clutches. If Alfar, Dwerg’s grandson, can learn to stand up to the old tyrant’s bullying ways, everyone will be fine. If not, Dwerg has some nasty plans for Sander, Mini, and the rest.

The Book of Alfar is a pleasant blend of Celtic folklore, Hudson folklore, and fantasy adventure that’s sure to entertain the younger set. For those used to more sophisticated tales, they may find it to be a little lacking. It’s a good story, and a perfectly serviceable first novel, but it doesn’t ever seem to fully commit itself to the depths it’s clearly capable of.

The Blue Girl, by Charles de Lint (Viking Children’s Books, 2004)

Imogene is a tough girl trying to make a fresh start for herself at a new school. Maxine is a smart girl controlled by an overbearing mother. They’re unlikely friends, but right from the start they bond, granting each other strength and protection against the world. Over time, they both change for the better, even if Maxine still chafes at her mother’s rules and Imogene keeps much of her sordid past hidden. But not all is normal at Redding High. Malevolent fairies dwell in the shadows and secret places, and a restless ghost haunts the halls. When these supernatural elements take notice of Imogene, and the mundane teenage bullies follow suit, things go sour in a hurry, and before she fully realizes the consequences, Imogene is embroiled in a major problem. With a lovesick ghost after her heart, an ancient nightmare after her soul, and the bullies after her body, Imogene has to rethink her entire belief system, and draw upon the survival skills honed by running with a gang back home. Luckily, she has a few allies, including Maxine and some faces familiar to those who’ve read de Lint’s earlier works. In the end, though, only Imogene can chart her own destiny.

Though set in the mythical North American city of Newford like most of de Lint’s urban fantasy work, The Blue Girl doesn’t feel as connected to that setting. For one thing, it’s over a hundred pages before any of his usual repertoire of characters appear, even in cameo. For another, the story is so focused around Redding High that one doesn’t take much notice of the city surrounding it. However, this does mean that de Lint knows, quite intimately, the details of his setting, and weaves them into the narrative seamlessly, providing nice little Easter eggs for longtime readers, and a strong sense of familiarity for newcomers. Imogene and Maxine are strong new characters with a lot of potential to them; I’m hoping it’s not too long before they make return appearances. A chance line referring to Newford’s status as center of “Otherworld activity” is a nice nod to the way it seems every second person in that city is either magical, or has experienced the supernatural.

In many ways, this may be de Lint’s best YA work to date. It’s certainly one of his strongest novels in a while, in part because he maintains such a tight focus on three characters and on a relatively small geographical location. Even if the mixture of ghosts -and- fairies does risk supernatural overkill, it still feels intimate and understated, the threat real and present to only a very few people. It’s a nice change of pace from stories where the entire universe seems to be in danger. Ultimately, The Blue Girl is de Lint at his very best, showcasing all of his strengths, and very few weaknesses. Given that Charles de Lint is a master of urban fantasy, this sets The Blue Girl head and shoulders above an already strong crop of books coming out this season, and one that mustn’t be missed.